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Selling Guitar Effects
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Music
effects
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| Keyboard
type |
Make
/ Model / Year |
Description
/ Condition |
Price
Offer |
Contact |
| Bass
Pedal |
Digitech
Bass Driver™ Bass Overdrive / Distortion Pedal
[DIG0025] |
The
Bass Driver™ features three different bass overdrive
distortion pedal models to select from. These can be
morphed to create new multi-model bass -overdrive sounds.
Level -adjusts the overall effect level. Tone - uses
special Spectral -Contouring equalization. This adjusts
a broader range of frequencies, which provides greater
tonal control than is found in typical stompbox tone
controls.
Blend - adjusts the mix of the dry signal with the effected
signal. Morph - selects or morphs through 3 overdrive
models, including the TS9 Tube Screamer™, the
Rat™ and DigiTech’s DigiFuzz™. Dual
Outputs. The Normal output is for connecting directly
to the input of your bass amplifier. The Mixer output
utilizes CIT™ and is for connecting directly to
a mixing board or headphone preamp.
|
£89.00
|
web
site |
Wah
Wah Pedal

|
Original
cry baby |
The original cry baby model. Relied
on by Jimi Hendrix, Eric Clapton, Buddy Guy, David
Gilmour, and many other greats. Very distinctive
sounding rock effects pedal. Large range from ear
piercing treble to deep bass tone.
Customised with red and green LED's for power on
and Wah on. Heavy die cast construction for years
of reliability, 100K ohm Hot Potz potentiometer
that allows for that quick, abrupt wah sound. Powered
by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.
The whole range from treble to bass is very responsive.
A classic sounding effect.
On/Off
robust foot switch
Main adaptor socket if required
Battery operated
Customised red LED for power
Customised green LED for Wah on
Four rubber floor feet
Very robust solid construction
Unscrew base plate for battery change
Some paint chips, plastic ream discoloured.
I have owned this from new and its never let me
down. Totally reliable.
|
£98 |
02380
781222
email
|
Wah
Wah
Pedal |
Jim
Dunlop Jimi Hendrix Wah-Wah Black
[JH1] |
Jimi
Hendrix wasn't just a master guitarist, he was also
a wizard at selecting and combing effects that made
a beeline for your brain. The tones he created in the
60's are timeless, and still sought after today. Three
of his favourites... Wah-Wah, Fuzz and Octave... are
available right here, using many of the same designs
and circuitry he favoured. The original 60's design
wah-wah pedal, with modified circuitry to deliver fatter,
more open sound by lowering the effect's frequency range.
Heavy duty die cast construction and premium electronics
assure long life. Controls: Pedal sweeps 100K ohm Hot
Potz potentiometer for quick wah ramping • Effect
On/Bypass toggle switch at bottom of pedal travel.
|
£119.95
|
web
site |
Multi
Effects |
Behringer
Autocom PRO-XL MDX1600 |
Interactive
Reference-Class 2-Channel Expander/Gate/Compressor/
Peak Limiter with Integrated Dynamic Enhancer, De-Esser
and Low Contour Filter.The AUTOCOM PRO-XL MDX1600 is
loaded with many of the same features as the COMPOSER
PRO-XL. Additionally it features a unique adjustable
IDE dynamic enhancer that provides subtle and very musical
compensation for the bass boost effect that results
from heavy compression
|
£89 |
01323
639335 |
Multi
Effects |
Line
6 POD 2.0 Amp Modeller |
If
you've ever been frustrated trying to get great guitar
tones running direct, either live or in the studio,
and you want a wide variety of classic and modern guitar
tones with convenient to use effects built in, then
any one of the POD 2.0 will deliver all of this and
more.
Line 6's revolutionary A.I.R. Modeling accurately captures
the tone and feel of speaker cabinets, microphones,
and studio room characteristics for an amazing recorded
sound on everything from the most prestigious pro studio
setup to a multi-track cassette. Sounds like having
a great amp mic'd by a great engineer in a great studio.
POD 2.0 is the ultimate guitar direct recording/performance
tool with acclaimed Line 6 modeling and built-in stereo
effects. POD can also be used as a Tone-shaping front
end for any Guitar Amp, Live PA, or with Headphones.
Using a POD Mount, the POD can be secured to a standard
microphone stand or slip underneath an amplifier handle.
|
£135 |
email |
FXs
pedal |
Line
6 Tone Core Constrictor |
Give
your favorite tone a major squeeze with the new ToneCore
Constrictor. Choose from three versatile compressor
models including Compact, Squeeze, and Mellow all based
on classic analog compressors from the ‘60s, ‘70s
and ‘80s.
Compressor Dynamics Model Switch - This switch reconfigures
the virtual circuitry inside Constrictor to give you
three distinctly different “flavors”:
Compact - Is based on vintage stomp box compressors
from the `70s and gives you a slight mid frequency boost.
The virtual circuitry of the Constrictor is automagically
reconfigured to run a 37:1 compression ratio, 10ms fast
attack & 295ms slow release time when this model
is run.
Squeeze - Gives you `80s stompbox-style compression
with a pleasant treble boost. It runs a 19:1 compression
ratio, 31ms slow attack & 98ms fast release time.
|
£76 |
email |
Studio
Effects unit |
Boss
GT Pro Guitar Effects Processor |
2
Tons of Tone in a Rack!
Plug into BOSS’s most powerful rack processor
ever. With a dual COSM® effects engine and an expansive
I/O section that includes XLR outputs, three sets of
send/returns, and a USB port for data exchange and audio
flow, the new GT-Pro is the perfect front-end for driving
a wall of powered cabinets or for direct, pro-grade
recording applications. Whether on stage or in the studio,
you’ll be amazed at how much power and performance
this top-quality rack has to offer.
|
£599 |
01273
412877 |
Effects
Pedal |
Electro
Harmonix Small Clone Pedal |
Reissue
of the affordable 9-volt battery operated analog chorus
pedal popularized by Kurt Cobain. Depth and Rate controls
create the finest sounds, from clear, rich and dimensional
to warm pulsating warbles
|
£105
|
email |
Bass
pedal |
Digitech
Bass Squeeze™ Dual Band Bass Compressor Pedal
[DIG0026] |
The Bass Squeeze™ is the result of collaboration
between DigiTech and dbx™ to create the world’s
finest bass compression pedal. Utilizing award- winning
dbx™ OverEasy™ technology, the Bass Squeeze™
delivers dual-band compression, creating the best bass
compressor found in any stomp box Level - controls the
overall compression level
Crossover - selects the frequency at which the signal
crosses over from the low band to the high band control.
The frequency range runs from 100Hz to 3kHz
Low Band - adjusts the amount of low frequency compression
plus the output level Dual Outputs. The Amp output is
for connecting directly to a bass amplifier. The Mixer
output, with CIT™ bass cabinet emulation technology,
is for connecting directly to a mixing board or headphone
pre amp
|
£89.00
|
web
site |
| Delay
Modeller Pedal |
Line
6 DL4 Delay Modeller Pedal
Delay pedal. Made by Line 6. |
The
DL4 Delay Modeler offers you an incredible array of
sounds, from a tube driven, tape loop echo (complete
with adjustable wow and flutter), through 24 bit squeaky
clean digital echo, to real-time reverse delay, all
in one compact stomp box!
Digital modeling based on 15 of those vintage delay
and echo effects you've always yearned for. Including:
EP-1 Tube Echoplex, EP-3 solidstate Echoplex, Space
Echo, Deluxe Memory Man, Reverse delay , Rhythmic
delay, Dynamic delay and many more!
Loop Sampler includes 14 seconds of memory + 800ms
of Pre-delay (sort of a delay within a delay), and
features half speed and/or reverse overdubbing, and
more...
3 programmable presets and on-board Tap Tempo
True Bypass switching, so your direct tone is exactly
that; direct from your guitar to your amp Controls
include - Effect Selector, Delay Time, Repeats, Tweak,
Tweez, Mix, Tap TempoExpression Pedal Input - for
real time control of all effect settings DL4 runs
in discrete stereo, both inputs and outputs, so Left
stays left and Right stays right. (Loop Sampler sums
signal to mono) Runs from batteries or optional power
adapter.
|
£199 |
email |
Effects
Pedal |
MXR
ZW-44 Zakk Wylde Overdrive Pedal |
Whether on his groundbreaking work with Ozzy Osbourne
or with his own Black Label Society, Zakk Wylde’s
guitar playing is loud, tough, and relentless. Zakk’s
take-no-prisoners attitude extends to his quest for
tone, too. When he wanted to develop his signature overdrive
pedal, he looked no further than Dunlop. The result
is the new Wylde Overdrive. This muscular stomp box
will turn your clean amp into a heavy, chunky crunch
machine. Or, use it like Zakk does and kick it in front
of a dirty amp for a screaming, sustaining lead tone.
The three simple controls—Output, Tone, and Drive—make
getting up and running easy, so you can concentrate
on the business at hand: kicking major ass.
|
£99 |
email |
FXs
unit |
Ebow
Plus Electronic Bow |
Ebow
Plus Electronic Bow for Guitar Plus Effects
Includes pouch & cassette. Free UK Mainland Delivery.
|
£69.99 |
email |
Guitar
Effect |
Snarling
Dogs Black Bawl
[SDPWBLKB] |
Take the WHITE ROOM wah sound, add a pre-amp to adjust
volume or maybe give a little extra drive, mix in true
bypass switching and you have the BLACK BAWL. An unbeatable
sound with true bypass so your guitar maintains its
original signal without coloring the tone. Simply the
best simple wah EVER
|
£129.00
|
web
site |
Effects
Pedal |
Line
6 Tone Core Crunch Tone |
If
you like warm, full-bodied overdrive, Crunchtone features
three juicy models: Blues, Pop and Crunch. Based on
Line 6’s arsenal of power tube overdrive models,
Crunchtone also give you a simple yet versatile tone
control for easy tweaking, and a built-in Noise Gate.
Model Switch - Switching this instantly reconfigures
Crunchtone. You get three of the juiciest overdrive
sounds this side of Tejas!
Blues - Designed to produce a glassy, snappy 6L6-style
overdrive tone for playing the blues. Pop - Just the
thing when you need a nice, 60’s-style Class-A
pop/rock bark. Crunch - Gives a punchy, slightly compressed
overdrive tone, much like what you'd get from a British-style
full stack amp-and-cab setup. Gate - Switching this
instantly reconfigures Crunchtone. You get three of
the juiciest overdrive sounds this side of Tejas! Off
- Disables the Gate.nGate 1 - A soft and mild noise
gate, self-adjusting to your current Drive knob setting
(cool, huh?). Gate 2 - A heavy, fast-clamping gate.
Great for those aggressive metal chords and palm muting.
Level - This sets the output level. Crunchtone has plenty
of output to spare, so if you crank the Level knob,
you can score some extra overdrive from the amp your
feeding it to. Bass - Add more lows to your sound by
turning this knob up, or reduce it by turning the knob
down. Point the knob straight up to leave your tone
unaltered.
Treble - Just like the Bass knob, only it’s working
the highs.
Drive - The Drive knob controls the amount of distortion
created within your Crunchtone.
|
£72 |
01273
412877 |
Guitar
Effect |
Zoom
606 Guitar Multi Effects Processor + Free 10' Cable!
[606ii] |
Multi Effects Processor for Guitar -Surpass all Previous
Standards Drive Selector & Gain +- Key
Ten types of "Drive Sound", a key factor in
guitar sound, are available, including five Amp-Modeling
sounds. Additional Acoustic Simulation is provided,
allowing you to switch between the different types at
any time
using the dedicated selector knob in a single action.
Using the Gain ± Key, you can turn the Drive
module ON/OFF or change the Drive circuit's gain or
depth at any time.
|
£74.95
|
web
site |
Bass
effect |
Digitech
Bass Multi Chorus™ Pedal
[DIG0024]
|
The
Bass Multi Chorus™ is -designed specifically for
bass. What makes the Bass Multi Chorus™ different
is you can morph up to 16 bass chorus voices at the
same time to create the lushest bass chorusing ever
heard from a stomp box There is also built-in voice
randomization that increases as you add voices to thicken
the sound even further.Sped-varies the rate that the
chorus sweeps up and down Depth - controls the range
or how wide the chorus sweeps up and down Voice - lets
you morph from one up to sixteen chorus voices. Voice
randomization is built-in and automatically increases
as you add voices Dual Outputs. The Mono/Stereo outputs
can be switched between Normal and Mixer output modes.
Normal output mode is for connecting directly to the
input of your bass amplifier. Mixer output mode, with
CIT™bass cabinet emulation technology, is for
connecting directly to a mixing board or headphone pre
amp.
|
£89.00 |
web
site |
Effects
Pedal |
MXR
EVH90 Van Halen Phase 90 Pedal |
Script
switch. Blue LED. Red, White, and Black stripe graphics.
Edward Van Halen earned his spot in the guitar tone
hall of fame with the first note on his debut album
in 1978. The guitar work on that album still boggles
minds more than 25 years later. The tones that EVH
got on that classic record are among the greatest
ever, and a huge part of Eddie's guitar sound has
always been the MXR Phase 90. The Phase 90 contributed
to the unbelievable tones on "Eruption,"
"Ain't Talkin' 'Bout Love," "On Fire,"
and "Atomic Punk," plus many other timeless
Van Halen tracks.
|
£145 |
01323
639335 |
Total
bass
unit |
Digitech
BNX3 Multi-Modeling Bass Workstation
[DIG0023]
|
By combining the world’s most powerful multi-modeling
bass guitar processor with a digital 8-track recorder,
the BNX3 gives you everything you need to perform, practice,
write and produce songs in a single unit. The BNX3 bass
workstation is the first multi-track recorder that works
like a bass player thinks. Experience the first hand's-free
multi-track recorder that lets you focus on creating
and recording music instead of messing with mixers,
cables and patch bays. Record, playback, auto-arm the
next track, or delete tracks, all without touching a
knob.Save tunes on SmartMedia™ and easily import
your tracks to a PC or Mac. Polish them with Cakewalk®
Guitar Tracks™ and burn a CD with Pyro™
(both included). Convert CD, .MP3, .WMA files —
virtually anything that’s out there — to
.WAV files and move them into the BNX3 to jam along
with.Now you don’t have to break your creative
vibe to capture those inspirational moments…because
you have the perfect songwriting sketch pad at your
feet all the time. Start with a drum track, lay down
a rhythm track and then a bass solo – all without
taking your hands off the bass! Want to add a vocal?
No problem. The BNX3 offers a balanced XLR input for
capturing vocal and acoustic performances too.
|
£499.00
|
web
site |
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Effects
Pedal |
Electro
Harmonix Big Muff USA Pedal |
The distortion that countless musicians such as Hendrix
and Santana relied on for its rich, creamy, violin-like
sustain. A timeless piece, the Big Muff has been defining
the sound of rock guitar for the past 30 years. From
Pink Floyd to the Chemical Brothers to Korn, everyone
wants a piece of the 'Pi!
|
£99
|
email |
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Effects
Pedal |
Guitar
effects |
Guitar
lessons on DVD |
Effects
Electronic
devices and pedals you can use with your music playing to enhance
the sound. For example digital reverb and echo sound great on someone's
vocal, it fills and fattens the sound creating a superior ambient
sound. Some are used as a sound effect for example flanger or some
are used just to brighten the tone and sound for example graphic
equalization. Effects are very popular in recording studios to give
a professional big warm sound.
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All Rights Reserved.
Designated trademarks and brands are the property of their
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Effects
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